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Search resuls for: "Robert Icke"


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The production offers a compressed version of the royal accession story that, in this version, runs nearly four hours. It is an opportunity to experience Ian McKellen’s unbridled love of performance. “Player Kings” — which runs at the Noël Coward Theater through June 22, before touring England — is the latest in a wave of recent high-profile Shakespeare productions in London. Uniquely among the other great British theater actors of his generation, McKellen still returns year after year to the stage, recently tackling Lear for a second time and playing an octogenarian Hamlet. In the “sweet creature of bombast” that is this play’s John Falstaff, McKellen has an especially juicy assignment — an outsized character whose appetite for life matches the actor’s own gusto.
Persons: Robert Icke, Shakespeare’s “ Henry IV, Ian, Coward, McKellen, Lear, John Falstaff, We’re, hasn’t Organizations: “ Player, , Coward Theater, England — Locations: London, British
How Jewish People Built the American Theater
  + stars: | 2023-11-29 | by ( Jesse Green | ) www.nytimes.com   time to read: +46 min
Let Us Tell You A Story How Jewish people built the American theater as we know it. The theater, which for many Jews was a major way of becoming American in the first place, seems unable to acknowledge that the danger that American Jews face is not just historical, and not just onstage. (Both of Adler’s parents were Yiddish theater stars — her father, Jacob Adler, was a renowned Shylock in 1903.) Embedding their own observation and experience within Stanislavsky’s, along with the best of Yiddish theater and a generous dollop of Freud, they converted the American theater to Judaism. Sara Krulwich/The New York TimesThe Jewish contribution to the creation of the American theater was built on the acknowledgment of a larger humanity alive within each of us, available to some, with natural empathy and rigorous training.
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At the start of Robert Icke’s “The Doctor,” the actress Juliet Stevenson stands alone in a spotlight onstage. I’m a doctor.”As the play’s title character, a grammatically exacting neurosurgeon named Ruth Wolff, Stevenson will repeat those last two phrases many times as events unfold and Ruth’s clarity and intellectual certainties erode. Eventually they will transmute into something far more inchoate as her life unravels, and self-doubt begins to permeate her conviction that being a doctor is all that matters. In Icke’s version, the issues go beyond questions of medical ethics and religious affiliations to include identity politics and cancel culture. The play, and Stevenson, received rave reviews when “The Doctor” was first presented in 2019 at London’s Almeida Theater, where Icke was then the artistic director, and later after it transferred to the West End.
Persons: Robert Icke’s “, Juliet Stevenson, , Ruth Wolff, Stevenson, unravels, Arthur Schnitzler’s, Bernhardi, , Icke, ” Michael Billington Organizations: Roman Catholic, London’s, Guardian Locations: New York, obduracy
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